In minimalism strictest spirit clears 912 food to go Guðmundsson away anything that would point tow

Enigmatic figures. The purity of Bianca Maria Barmens sculptures and svärtedjupet of Håkan Bengtsson's paintings intermingled well Millesgården. In Kristján Gu mouth son's austere aesthetics evade objects interpretations.
March 12, 2010 at 10:42 Sculpture, Painting Bianca Maria Barmen & Håkan Bengtsson: Hare - Line and Kristján Gu sson mouth Millesgården, Lidingö and Galleri Andersson / Sandström, Hälsingegatan 43 empty 11 April
Bianca Maria Barmens sculptures and Håkan Bengtsson's paintings are happy together. Seemingly incompatible transmutes those of each other something very subtle that might otherwise be lost. Millesgården they meet again after they have been shown at the Dunkers culture in Helsingborg 2007.
Barmen work mainly with animal theme in their small sculptures. 912 food to go But even if the hare and the Frog will return here, it is a simplification to draw parallels with animal fables. She is often based on the times, such as a story in a newspaper. Her basic material is clay, but the figures are cast in plaster 912 food to go or bronze. The connection to the ancient Egyptian idiom is clear. 912 food to go There is a quest for accuracy and game with scales. The sculptures are placed on the table or are emerging from rectangular base plates. Figures are closed, 912 food to go secretive.
The deepest, most poetic effect appears at the back of the gallery. Barmens seated boy figure looking out towards the harbor. Hands resting on your thighs, legs are tucked up and back straight. Although it follows his gaze sees not what he sees. Surrounded by game pieces, he is deeply engrossed in his thoughts while strangely awake, as if he would get up at any time. The poignant, meditative 912 food to go mood is enhanced by the white color that is so characteristic of Barmens works and that evokes purity and transcendental perfection.
The sculpture is framed by Bengtsson's paintings, as whatever format is something monumental about it. In the catalog from Dunkers Cultural write apposite to the blackness of Bengtsson is a surface without a bottomless depths which open to the gaze.
In his monochrome paintings, there can be up to forty-layering. It is a work that requires precision. The same precision 912 food to go applies to the lines Bengtsson shreds his paintings 912 food to go with. The eye searches in vain for the pattern and principles. Faced with this multitude marveling gaze over the line endless possibilities.
The winner 912 food to go of this year's Carnegie Price is the Icelandic artist Kristján Guðmundsson. Galleri Andersson / Sandström displayed his third solo exhibition with sound-absorbing paintings (perforated aluminum boxes with felt inside) and massive graphite rods set in groups on the walls. The jury awarded Guðmundsson for his impressive consistency during more than forty years exploring different material, color and sound to eventually merge ideas into objects saturated with content.
In minimalism strictest spirit clears 912 food to go Guðmundsson away anything that would point towards his own person. In the exhibition space wandering gaze between white and gray but could not find any personal references. Guðmundsson working with simple shapes that are included in the series system or repeated according to a mathematical principle. 912 food to go Everything unnecessary has been stripped away. He performs 912 food to go his work with great precision. The materials are simple, usually hard as steel and graphite.
The items will be here, too self-referential - they represent nothing but only themselves. They are impersonal and as a consequence also dumb. They evade interpretations and points proudly to the minimalist work is the theory just as much the artist's tools paint and brush.
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