Monday, January 6, 2014

Before us is an original script with elevated bright creative individuality. Before us is a scenari

Radoy | Portal for Culture, Arts and Society
Book (IC "East-West") from which we offer an excerpt (abridged), is the work of the younger son and the daughter of joy, it reveals facts about the life and work of satirist. Based on material from declassified archives of the communist secret services, the authors reconstruct the missing part of the file of the poet, destroyed in 1990
Radoy Ralin creative alias Dimitar Stefanov Stoyanov, born in Sliven on April 23, 1922, but noted many years his birthday on April 22, 1923 edition, which comes 90 years after the birth of the poet, is subtitled "jammer order and the rod of power "irazkriva facts of his life and work: for the return unexplained reasons (ideological and legal) anthology" Nice "containing translations of one hundred world authors during the regime, returned to play" Goldfish "for detained thousands of copies of already published book "Epigramki framed" for his friendship with Boris Dimovski, Radichkov Alexander Guerov, Kiril Hristov, Milcho Leviev and others.
The publication contains material declassified archives of the communist kuller secret services, which Stephen kuller and his wife Tanya preravyat to restore the missing part of the file of the poet. The book is based on archival kuller materials, documents kuller and personal correspondence also contains a CD with recordings of the satirist - his words immediately after September 9, how Radoy spouting his favorite poet, talk of joy with your loved Valeri Petrov (about 1970) words of Peter Uvaliev for him and others.
In June 1966 in the newspaper "Literary Front" are printed first "Apostrophi." It turns out the little book of epigrams "Please come!" With illustrations by Boris Dimovski - like a dress rehearsal for "Chillies" even with a number of sharp epigrams kuller and cartoon
A little earlier kuller Radoy already written and kinostsenariya his "will kuller come baby," which despite the high valuation given to 22.І.1966 approved it, from the creative team, never sees the light of day. In the same 1966 is already created and VI CPC management to combat ideological diversions, like the identical V Department of the KGB in the USSR.
Attended comrades Hristo Santov, Ivan Ivanov, Al. Dunchev, Borislav Petrov, Emil Petrov Valeri Petrov, Zachary Zhendov, Yanko Yankov, Lubomir Standings, Rangel Valchanov Hristo Piskov kuller Anton Marinovich, Nikolai Popov
Before us is an original script with elevated bright creative individuality. Before us is a scenario which, if achieved mastery and artistic inspiration, will undoubtedly raise the ideological and artistic level of our cinema to a great height, at least one European none.
Take the example of life situations in the script. The original starts it - a man learns that has cancer and was then learned that his wife will have a child fifteen years of marriage. And this man is a gifted kuller artist, kuller and this man was humiliated and beaten in her creative career of gross interference of kultovskoto ignorance.
For the first time in our cinema will be treated the tragedy of an artist, a true artist - a tragedy which is the fruit of those methods of management in our cultural life, denying not only the Congress and plenums in Bulgaria and the Soviet Union, but denied than life itself. kuller But it is not painful, and too high a price ...
And the tragedy of the main character kuller in the script of joy is the epitome of this kind of conflict in society. The author do not intrude, it does not sound naked, deliberately. The author, a subtle sense of measure in January cleverly intertwined with the intimate drama of personal and family life of a hero. And so the idea and conflict scenarios are particularly vital and emotional plethora.
As I said at the beginning, the very life situation is quite original. It contains in itself already a tall dramatic charge and determines the psychological richness of the relations between the characters. It is expressed primarily by psychological experiences of the central character. This artist lived intensely internally constantly joining and collision three worlds, kuller three psychological terms - what it was, ie Creative premature amputation, what it is now - ie premature retreat, and what - ie premature death ridiculous ...
Hence, natural, associative element of the script kuller as a vehicle, hence the modern form of systemic script dictated by penetration into the rich and painful consciousness of a gifted artist, a tragic figure.
But the life curve of the hero and his tragic finale not overwhelm us and purify us, and exalt us to a particular emotional effect. And this is due to the peculiar emotional filling the particular emotional expression of the central character in the script.
It is not Hamlet type of person who has fallen into a tragic situation, kuller meditate or may not be. It is p

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